Welcome to the era of only Spotify Plays matter - let’s take a look at the underbelly of streaming scams affecting independent artists.

  • yesman@lemmy.world
    link
    fedilink
    English
    arrow-up
    119
    ·
    1 day ago

    A long time ago, you could go to a special store and trade government paper for music disks and tape that you got to keep forever.

    • Truscape@lemmy.blahaj.zone
      link
      fedilink
      English
      arrow-up
      86
      arrow-down
      2
      ·
      1 day ago

      Well hey old man, go to bandcamp and pay a quarter or an eighth of the price of that frisbee to get lossless audio files that you can download and backup to your heart’s content.

      Spotify was always for chumps.

    • cosmo@lemmy.world
      link
      fedilink
      English
      arrow-up
      35
      ·
      1 day ago

      When I discovered that it was possible to buy and download drm free lossless flac-files i went back to buying music again. Never looked back tbh.

        • maccentric@sh.itjust.works
          link
          fedilink
          English
          arrow-up
          5
          ·
          8 hours ago

          That bitrate seems low? I always thought 160-192kbps was the floor for a decent sounding rip, but it’s been over a decade since I’ve even had a CD so maybe things are different now

          • Localhorst86@feddit.org
            link
            fedilink
            English
            arrow-up
            2
            ·
            edit-2
            7 hours ago

            The Bitrate part was a joke, yes. 96k is low, although I just remembered a special mp3 codec from NERO that allowed for such low bitrate, at the same perceived sound quality as 128kbps.

            But obviously, all my CDs have been ripped as either V2, V0 or 320kbps - I personally have not noticed any difference to FLAC files with either of those qualities, I guess my ears are not sensitive enough.

            • cosmo@lemmy.world
              link
              fedilink
              English
              arrow-up
              2
              ·
              edit-2
              4 hours ago

              Almost no one can, or have equipment that can make the difference. That being said, the difference between an old mp3 and a new one is sometimes noticeable at the same bitrate. The encoding algorithm has improved a quite lot since the late 90s. I bet a lot of people who say they hear the difference think about those old encodes.

              I keep flacs as a master format that I make new encodes from when I want it on my phone and such though.

    • Grimy@lemmy.world
      link
      fedilink
      English
      arrow-up
      41
      ·
      edit-2
      1 day ago

      I remember that time and it was kind of awful. It was brutal in terms of packaging, and lugging around all those cds sucked. It was way more expensive and the money still all went to record companies, not to mention how terrible it felt to pay full price for a mostly garbage cd just for one song (singles existed though but not for everything).

      Records companies also had final say on who we listened too and completely controlled the whole scene essentially.

      I get the nostalgia but it was 100% worse both for artists and consumers. Well it has always been rough for artists tbh, I don’t know if it’s harder right now or not.

      • Soggy@lemmy.world
        link
        fedilink
        English
        arrow-up
        6
        ·
        12 hours ago

        They want fuckin 40 bucks for a vinyl these days and they don’t even throw in a digital download for that price, and the radio is owned by like three companies unless you live near a college station.

      • yesman@lemmy.world
        link
        fedilink
        English
        arrow-up
        15
        ·
        1 day ago

        The contracts that steal music from artists haven’t changed one iota. Unless you’ve got juice like Paul McCarty, Beyonce, or Taylor Swift, and even then it can be a fight that takes years.

        • Grimy@lemmy.world
          link
          fedilink
          English
          arrow-up
          6
          ·
          1 day ago

          I have a feeling it’s easier to put your music out there as an independant artists. There’s always someone taking a cut but the contacts are optional and there isn’t much gate keeping like before.

      • LainTrain@lemmy.dbzer0.com
        link
        fedilink
        English
        arrow-up
        12
        ·
        edit-2
        1 day ago

        This 100%. Just because capitalism makes streaming unethical doesn’t mean we need to go back to old studio system of other capitalist bastards to serve as gatekeepers of art.