The Lord of the Rings

This is Howard Shore’s Magnum opus. It’s what distinguishes this movie as more than just a great adaptation. His use of themes to represent not only races and kingdoms but characters, objects (like the One Ring, of course), and even concepts is a level above most movie soundtracks. There are even elements of storytelling through the music!

For example, the first time we hear the theme for Gondor is when Boromir is in Rivendell. Since he’s more or less alone, the theme is played by a single French Horn in a somber (almost tragic) style. In Return of the King, we see Minas Tirith, capital of Gondor, in all its glory, and so the full orchestra plays the theme.

One more: As the Fellowship begins to break down, so too does the theme. We go from heroic phrases to shorter, interrupted instances. There’s a book about the soundtrack written by Doug Adams. I highly recommend it if you’re interested!